5/18/2023 0 Comments Bioshock 2 music![]() ![]() You are the very first Big Daddy Set approximately 10 years after the events of the original BioShock, the halls of Rapture once again echo with sins of the past. Along the Atlantic coastline, a monster has been snatching little girls and bringing them back to the undersea city of Rapture. Summary: Set approximately 10 years after the events of the original BioShock, the halls of Rapture once again echo with sins of the past.There’s something intrinsic to it, you know, it’s just, it’s got a magic quality and so damn bloody simple. Every time we’d push up the faders, even if they were out of balance – because you didn’t have total recall back then, and nothing like we have nowadays with computers, Pro Tools and Logic – every time we pushed them up it was just, “wow”. I don’t get it and I didn’t get it at the time, I mean, I think it was the way that Chris made us improvise it every day, after our recording session, I would get on the guitar and Ian would get on the keyboards, Chris would be on the Fairlight and it soon became effortless. It’s crazy, it’s one of those songs, isn’t it? I remember from my childhood, there’d be songs like ‘Lola’ by The Kinks, it just, you know, it’s always going to be around it’s a classic. It’s crazy, I mean, it was always popular, but then… I did an interview with Reuters or something like that, a while back, with this lady who went on Spotify and worked out that there are about 140 cover versions of that song I mean, from Don Henley to Patti Smith, to Weezer, to Lorde, obviously. I mean that track has just got a life of its own. According to Joe, Roland dug into his pocket, pulled out a fiver and gave it to him right there! The first line of “Charlie Don’t Surf” from Sandinista (released in 1980, four years before Songs From the Big Chair) is “Everybody wants to rule the world”. The best may have been his telling of the time he accosted Roland Orzabel (main writer and instrumentalist of TFF) in a restaurant: In the article he related many great and humorous anecdotes. In the late 80s, Joe Strummer of The Clash made the cover of Musician magazine. Here’s a particularly interesting old-timey version by Scott Bradlee that appears in the 2013 videogame Bioshock Infinite: It was also sampled by OutKast for Da Art Of Storytellin' (Pt 1). This song heavily inspired the instrumentation of Rule, a song from Nas’s 2001 album Stillmatic. ![]() “…Rule the World” has been heavily covered by artists ranging from Gloria Gaynor to Care Bears On Fire, and the simple melody and structure of the song makes it easy to adapt into many different forms. ![]() This is a melodic device not far removed from traditional Indian music, and its first use in pop music can be traced back to the Raga-inspired music of George Harrison and The Rolling Stones. Although it mainly uses the chords of A and G, it heavily incorporates the sixth into these chords, meaning there’s a droning E note throughout most of the tune. It was jolly rather than square and rigid in the manner of ‘Shout’, but it continued the process of becoming more extrovert.Īs well as an atypical shuffle beat, the instrumentation of this song is interesting. The shuffle beat was alien to our normal way of doing things. The pair weren’t fans of the song, and thought its syncopated shuffle beat wouldn’t fit in with the electronically straight-timed drums of the rest of the album. Although a massive hit, Rule The World almost wasn’t recorded. Tears For Fears' biggest chart hit, peaking at #2 in their home country of Britain and topping the charts in the US, Canada and New Zealand. ![]()
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